Just as Jyuushimatsu was getting his hair ruffled and his face pinched for doing so well that they want to be mad, they really do, the die lands with six facing up. Jyuushi holds out a fist to bump, and Todomatsu stands up just as Chibita shouts his name.
“Todomatsu! Get your pink butt to the desk!”
Todomatsu waves happily to the audience before he sits down, turning horrifically sparkly eyes to Iyami.
“Don’t look at me like that.”
The shimmering gets worse. “Like what?”
“I’ll never get through to you, will I?”
“I don’t think so.”
Iyami groans, dragging a hand down his face. “I’m already tired of you. Anything to say while I try to retain my patience?”
“Right! With this song, I’m really trying to open up. You know,” he looks at the camera, the picture of rosy-cheeked innocence, “under all the confidence that I show onstage and all, I still have my moments of feeling a little insecure. This song was made to show off that side of me, so I really hope it goes well!” After a few quiet “aww”s from the crowd, he adds on, almost as if he was surprised, “Oh! And today’s an extra special performance of it! I’ll be doing this song other times in the future, but this performance is extra special, just for your show, Iyami!”
He looks genuinely surprised for a moment. “Are… Are you serious?”
“Mmhmm! Look, they’re setting up my props right now, it’s all French cafe stuff. I thought it’d fit super nice!” Glasses, an espresso mug and saucer, and a few pieces of silverware are carefully set atop a white-painted wrought iron cafe table with a wooden top, a small mic clipped to its surface.
“For once, one of you was thoughtfu– wait. Was all this just to gain my favor?”
“Sorry, Iyami, I gotta go! The show must go on and all that stuff!” Todomatsu scampers down to the stage, calming down to an idle stroll as the calm guitar kicks in, settling down in his seat and twiddling his thumbs as he takes a deep breath. Then the beat drops in.
((For an example of how this would sound, try Inferiority Complex by Park Kyung featuring Eunha! Jams under the read more))
He drums out the beat on the tabletop, and begins an adorably nervous melody, talking about how the person he’s fallen for makes him feel braver just by being around.
Totty falls into a comfortable groove in the first verse, dinging out a few notes on the glasses, all filled with different levels of water, tapping his fingers rhythmically on the pale wood, looking a bit fretful, but exhilarated. The chorus kicks up again, and he nearly hides behind his hands once or twice.
A few members of the audience recall an episode of the web series– he mentioned that tutting seemed like fun, and that he wanted to give it a try before the trend faded away. Now was his chance, it seems. As he began rapping, the syncopation playful but intricate, his fingers start twirling around each other, interlocking and moving in and out of grooves and shapes made by the opposing hand, forming heart shapes more often than not.
He moves the miniscule mug and twirls the saucer that was beneath it, a cocoa brown heart painted on both sides of the disc, and he lets the audience know that this is the last sing-along ba-da-ba-ba-ba section, singing just a bit more himself, looking into the camera through his eyelashes, thanking the person who he fell for, promising he’ll keep getting bolder. The song ends, and he resumes his stance from the start, twiddling his thumbs and taking breaths to calm himself down.
When the audience claps, he giggles for a second before standing back up, bowing. “Thank you! Thank you so much!”
It was a sly trick, and it worked.
“Next one to perform!” Chibita punches the die down the stairs again. This time, the one facing up is…