Ichimatsu stands up, pointing at Jyuushimatsu and Homura. “How. How am I supposed to follow that? I’m just gonna look more gross in comparison, get over here.”
Ichimatsu pats Homura’s shoulder, telling her something unheard that makes her smile before she walks over to the teapot again. Jyuushimatsu gives him two thumbs up, loading Homura back in the teapot, gently wheeling her backstage as a soft melody gently plays.
Ichimatsu steps toward center stage, and the fans who like him most realize that this is his first solo number where he hasn’t used a mic stand.
He’s actually going to dance during a solo for once.
((Song reference AND choreography reference is this performance of Love&Hate by Moonbyul from Mamamoo!))
Ichimatsu adjusts his blazer, dress shirt buttons aglow (top one undone, just the one. Two made him antsy), cat ears twitching as the tail sways gently. Yup, he’s advertising for a snack that pets and owners can share with a song from the point of view of a loving cat. The audience can’t quite tell if those catlike parts are real or fake, but they’re not the focus.
He’s actually moving. He’s actually emoting!
He paces the stage, seeming to get less stiff as he hears that this is getting a good reaction. His brothers are singing along, the audience is cheering enough to make him feel bold enough to throw in some extra rolls and swaying just to see how well it’ll be received. Ichimatsu feels weird. He feels confident, honestly.
Just in time for Jyuushimatsu to traipse out with mic stands! Ichimatsu doesn’t stay still, no matter how strong he’s tempted to. Nope, as Osomatsu and Jyuushimatsu back him up, it becomes yet another part of the choreography that disappears as quickly as it came.
The lyrics are very sentimental for Ichimatsu. He knows you do so much for him, and he wants you to see what he sees; a kind, caring person who makes him feel less worthless, someone who he wants by his side always.
There’s even a dance break after he walks down to the smaller stage in the audience, amazingly enough. It’s breezy and not overdone or punchy, but it flows nicely and doesn’t exhaust him too much to keep singing until he walks back to the stage, settling down by his brothers just as the song winds down.
The audience is almost as loud, proud, and delighted as his brothers are.






